
A quick landscape with Pencil and Procreate.

Rainbow Falls. Watkins Glen State Park, New York.
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Below Sabbaday Falls. White Mountains, New Hampshire.
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On VSCOGeorgia O’KeeffeWhat others have called form has nothing to do with our form—I want to create my own and I can’t do anything else—if I stop to think of what others—authorities or the public—or anyone—would say of my form I’d not be able to do anything.
I can never show what I am working on without being stopped—whether it is liked or disliked I am affected in the same way—sort of paralyzed—.
Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.Kurt Vonnegut
The following comes from the epilogue of Edward R. Tufte’s book on graphical information design, The Visual Display of Quantitative Information. In his book, Tufte outlines a systematic approach to to the design of graphs and visual information, but in the epilogue warns against too much emphasis on rules and “word authority” to direct the design process or judge the final visual solution.
Edward R. TufteDesign is choice. The theory of the visual display of quantitative information consists of principles that generate design options and that guide choices among options. The principles should not be applied rigidly or in a peevish spirit; they are not logically or mathematically certain; and it is better to violate any principle than to place graceless or inelegant marks on paper. Most principles of design should be greeted with some skepticism, for word authority can dominate our vision, and we may come to see only through the lenses of word authority rather than with our own eyes.
What is to be sought in designs for the display of information is the clear portrayal of complexity. Not the complication of the simple; rather the task of the designer is to give visual access to the subtile and the difficult—that is,
the revelation of the complex.

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